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   » » Wiki: Bobbye Hall
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Bobbye Jean Hall is an American who has recorded with a variety of rock, soul, blues and jazz artists, and has appeared on 20 songs that reached the top ten in the Billboard Hot 100.


Early career, work for Motown and move to Los Angeles
Bobbye Jean Hall was born in , , and began her career there playing percussion in nightclubs while still in her teens. While playing at the 20 Grand nightclub in 1961 she was approached by arranger to play on a recording session. Using bongos, congas and other percussion, she played uncredited on many Motown recordings in the 1960s. She lived in Europe for a few years during which time she changed the spelling of her name from Bobby to Bobbye, to distinguish herself as a woman percussionist and as a unique musician. She moved to in 1970 where she was one of the few female in a male-dominated profession, a sometime associate of the Funk Brothers and the so-called Wrecking Crew.
(2025). 9780826429742, Continuum.
Already a veteran player by May 1971, she was featured on congas in the studio video of doing "Sorry Is A Sorry Word", and she added her bongo skills to 's "Inner City Blues (Make Me Wanna Holler)".
(2025). 9780743268592, Simon & Schuster.
"...such as Bobbye Hall whose insistent bongos can be heard..."
Her first studio gig behind a full rock was with on his 1971 album L.A. Getaway—Ethridge said "she was great".
(2025). 9780879307936, Hal Leonard Corporation. .
She also played on the album, White Light, of the same year.

Hall recorded several albums with , including his No. 1 hit "Lean On Me", and his Live at Carnegie Hall album. She toured with in May–June 1973 after having participated on two of King's studio albums. During this tour Hall asked King to stop introducing her as "Little Bobbye from Detroit". King suggested "Ms. Bobbye Hall" and from that time forward, Hall was known as Ms. Bobbye Hall. In May 1974, she performed again at Carnegie Hall, this time backing , a follow-up to appearing on two of his albums. used Hall's percussion skills for a few songs in 1974 and 1976, including "Bird of Beauty" on which her artful quica work established a mood of Brazil at Carnival.

(2025). 027598723X, Greenwood Publishing Group. . 027598723X

In 1973–1974, Hall began to be credited sometimes as Bobbye Hall Porter, also Bobbye Porter Hall, after her marriage to record producer Joe Porter.

(1974). 9780840280770, Nash. .
Hall released one album of her own in March 1977: Body Language For Lovers, a soul-jazz instrumental work featuring tunes co-written with her husband. Billboard recommended the LP, but it did not chart.


Global exposure
In 1978, took her on a world tour, from mid-February to mid-December, paying her $2,500 per week—about $ in today's dollars.
(2025). 9780802138910, Grove Press. .
This handsome compensation was arranged to pay for the studio sessions she would be missing. The men and women appearing on stage with Dylan were required to wear costumes designed in Hollywood by Bill "Spoony" Whitten, and the musicians did not like them. Lead guitarist Billy Cross said "the band looked like a large aggregation of pimps", and backup singer Debi Dye-Gibson said she and the other women "looked like hookers". The show's playlist was a collection of Dylan's greatest hits, as specified by promoters at the tour's Japanese stops. All the songs, even the sparse acoustic ones, were arranged for a full band and a big sound. Hall and the musicians stayed at the best hotels side-by-side with Dylan, and flew on a chartered jet airliner which held suites and a bar.

Hall joined Dylan from time to time at dinner, and was surprised to find him a longtime fan of —she observed him to be "infatuated by going out with black women ...by that whole black thing, even eating the food." He entertained her with card tricks. However, the tour began to wear on him, and he called band meetings where he criticized his musicians sharply for being too formulaic. Hall remarked of these encounters, "when he spoke to us, he was not the poet." A two-disc album was produced using 22 songs recorded live in Japan: Bob Dylan at Budokan, and a stop in Santa Monica, California, allowed Dylan and most of the touring band to cut a studio album, Street-Legal, with Hall on percussion.

9781411680845, Lulu.com.

In late August 1978, in between Dylan tour dates, Hall played congas for 's Blue Valentine album, on the track "Romeo Is Bleeding", giving it a gritty Latin feel.

(2025). 9780767927093, Random House. .

In 1979, she recorded "Run Like Hell" (on ) with . She recorded with 's Silver Bullet Band in the early 1980s. Hall joined for her album Bella Donna and toured with her in 1981, 1983, and 1986.Bella Donna (album)The Wild Heart Tour

(1987). 9780816017546, Facts On File.

For the 1986 film Little Shop of Horrors, Hall played tambourine and congas on the soundtrack.

Other musicians she has recorded for include Fanny, , , , Tavares, , , , Mel Brown, , Cecilio & Kapono, , , , , , , , , , , , , Poco, , , Jefferson Starship, , the Manhattan Transfer, Stanley Turrentine, , , , , , , the Doobie Brothers, Kris Kristofferson, , , , the Jeff Healey Band, , , , the Mamas & the Papas, , , , , Ozark Mountain Daredevils, and .


Instruments
She has recorded as percussionist and drummer using the following instruments: , , , , quica, wood block, , full , , , , cowbell, bells, shaker, güiro, triangle, , , finger snaps and .


Billboard chart appearances
These songs recorded with Hall appeared on the Billboard Hot 100 chart:

1
3
42
9
9
24
2
25
1
35
70
1
6
21
21
50
56
82
3
11
27
12
64
17
12
2
27
49
49
38
36
57
7
24
4
53
8
27
6
11
32
5
2
5
13
74
12
12
4
11
5
90


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